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WEEK IN REVIEW
Sunday


Fighting foreclosure: How one couple got caught...
Monroe man's family remembers a life devoted to...
155-year boys club comes to an end
Saturday
How to avoid holiday thieves
Burn ban orders will have new teeth
Get a flu shot now, officials urge
Friday


A community in limbo
Ideas arise on housing sex offenders
Turnout for historic election breaks county and...
Thursday


Ways to Give: Where you can make a difference
Ways to give: Charities hit hard from both sides
County Council cuts deeply from most staff exce...
Wednesday


Cancer survivor is again living the life of a t...
Tulalip school is grieving once more
Faulty part bogs down Boeing's jet lines
Tuesday


'We are devastated' by loss of two boys, family...
A scramble to shave $1.8 million from county bu...
Arlington about to add land; buildup could follow
Monday


Arlington boys couldn't be saved from fire
Mom heeds call to serve
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Magnolia Pictures photo  (click to enlarge)
Hunter S. Thompson is shown in a promotional photo from the film, "Gonzo: The Life and Work of Dr. Hunter S. Thompson."
 
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CONTACT THE HERALD
Melanie Munk, Features Editor
munk@heraldnet.com
 
Published: Friday, July 4, 2008

'Gonzo': The crazy life of Hunter S. Thompson

"Gonzo" tells the gonzo journalist's story with affection, but doesn't ignore his many faults.

Hunter S. Thompson has already had more fictional incarnations than most journalists could ever imagine, but a new documentary gives the nonfiction version.

"Gonzo: The Life and Work of Dr. Hunter S. Thompson" is an entertaining trip through the wild man's existence. Played by Johnny Depp in "Fear and Loathing in Las Vegas" and Bill Murray in "Where the Buffalo Roam," Thompson himself had a weirdly hypnotic quality that comes through in the copious footage here.

Hunter S. Thompson invented "gonzo" journalism, a berserk form of expression that resulted in some inspired writing of his own and much lousy imitation from others. A gun lover, he killed himself at his compound outside Aspen, Colo., in 2005, his writing powers having waned in previous years.

The movie obviously has the cooperation of family and friends, and although it acknowledges Thompson's less attractive qualities, it's mostly a celebration of his impertinent life. A great deal of coverage is given to his greatest journalistic projects: a 1965 book on the Hell's Angels, his epochal "Fear and Loathing in Las Vegas," and his coverage of the 1972 presidential campaign for Rolling Stone.

The campaign, which allowed Thompson to cheerlead for South Dakota Sen. George McGovern, inspired some of his most corrosive work. His madcap insinuations about Maine Sen. Edmund Muskie (including the cheerfully false assertion that Muskie was ingesting an African hallucinogenic) and his vitriolic descriptions of Richard Nixon made the project a memorably aggressive piece of writing.

Thompson's own political career, a run for sheriff of Aspen, is also recounted. His belief that he might actually win points up his essentially romantic nature, despite the guise of a cynic. He was a sentimentalist at heart, and his mourning the lost causes of the 1960s was something that probably limited his later writing.

His rampant drug and alcohol use probably killed a few brain cells, too. But however unpleasant he could be, he was clearly loved by many; among the more recognizable faces here are Depp, Jimmy Buffett, and politicos such as Pat Buchanan and Jimmy Carter.

Director Alex Gibney, who won an Oscar for "Taxi to the Dark Side," could undoubtedly have exposed more warts. But he's included enough of Thompson's jet-fueled prose to let you decide whether you want to ingest more of these dizzying writings.

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